Garbage Guitar

Turned out my neighbor's son stepped on his guitar and snapped the headstock off. We were at curbside where he was putting it with the rest of his garbage. Would he mind if I took it? I can't bear to see a musical instrument thrown away. "You really can't fix that," he said. But he was throwing it out, after all. And I'd seen him strumming a Martin on his stoop, so it wasn't like he was hurting for an axe. What could he say? I took the crippled six-string home.

I took it out of the case and looked it over. The decoration was really nice, and the workmanship seemed good. The case was solid and I ran my fingers through the plush lining. When I flipped open the storage compartment I recognized that I'd stumbled into private territory. I found some seeds, tiny bits of weed and one of those tiny ziplock bags - no doubt the remnants of my neighbor's teenage stash.

What was garbage a moment earlier suddenly became invested with meaning; this guitar part of someone's life, an emotional piece of this guy's coming of age. I could imagine him jamming with his buddies and the good times he must have associated with the guitar. I understood why he might have been hesitant to let me take it. I doubt he remembered what was tucked deep inside, but no doubt he wanted to move on, and I bet it took some doing to let the guitar go.

The guitar is a Cortley copy of a Gibson Dove, and it looks like the actual Gibson that Elvis is playing in the picture. I even found a website dedicated to the copy guitar! People said nice things about it online, and I was inspired to fix it. I got me some Gorilla Glue and a clamp, did as good a job as I could gluing it back together. A bit cruder of a repair than I'd hoped. But when I strung the guitar up, it held.

And when I tuned it up and began to play, the guitar sounded with a warmth that made me smile.

Korg Micro X

"As an absolute minimum we would suggest 32 MG and a processor running at 120 MHz. There is no maximum system requirement, but an Apple G3/300 MHz with 64 MB or more would be very cool." -FROM THE BOX OF CUBASE VST, MY FIRST COMPUTER RECORDING/VIRTUAL INSTRUMENT SOFTWARE PROGRAM.

Boy do times change. My current mac blows those specs away, but software has gotten more demanding too. My 1.4 ghZ G4 notebook starts to hicup in Live or Protools with a just a couple of virtual instruments running — sometimes with just one demanding vst. Let's face it, not everyone can afford to get the latest computer every year.

Frustrated by crashes I went out looking for an external voice module to trigger via midi out of my sequencer. My adventure with the JV101 proved less than ideal. I wanted something editable and with more contemporary sounds.

I never even heard of the Korg Micro X when a salesman pointed it out to me. It's keyboard is so short you can barely play it on it's own, but with a controller keyboard (I already had one) and almost any computer (even my lame G4) the sounds, editing and system integration of this machine really shine.

Get this: The supplied editor opens just like a virtual synth inside of your recording software, so you can work seamlessly inside your sequencer, just like with virtual synths, only here the processing chores are all off-board, on the Micro X's back. Free of the CPU load of the virtual synths, my lame mac is running like a champ.

Add to that: Lots of great sounds, ample polyphony, editable, multiple arpeggiators, realtime control knobs and even built in templates for using its knobs as midi controllers for Live and other software, the little thing is a rocket in the pocket with a sequencer, and lot's of fun to play on it's own with it's cool patches and synced arpeggios.

And it comes with an orange case. Well worth the $500.